Deezer explains when it excludes manipulated streams from payment, while entertainment lawyer Adebayo Ishola outlines what Nigerian artists can ask when royalties are withheld.
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Fake-stream promotion often promises large numbers for a fee. GYOnlineNG explains common warning signs, the difference between legitimate promotion and artificial streams, and what artists should check…
A touring schedule creates obligations beyond the performance itself. Davido’s tour offers a starting point for examining who budgets for physical preparation and recovery.
A platform royalty total cannot show what artists retained. The next question is how earnings are accounted for across recordings, songwriting and live performance.
Read the sources, understand the measures and follow the calculations behind our reporting.
FilmOne’s first-half 2026 box-office figures put Nigerian titles ahead of Hollywood releases in the reported market, but the comparison depends on the period and dataset. This article…
Cinema, subscription streaming and YouTube generate revenue in different ways. This article examines what Netflix, Showmax and YouTube mean for Nollywood distribution without treating views or box-office…
A film’s ₦1 billion box-office gross is not the amount its producer receives. This explainer examines cinema splits, distributor agreements, taxes, fees and costs that shape what…
Burna Boy’s music has appeared in Apple Fitness+ and Peloton workout offerings. This report looks at the catalogue exposure and what public announcements do—and do not—reveal about…
A 2021 criticism of Adeyinka Alaseyori’s “Oniduro Mi” by Tope Alabi sparked a wider public debate. This article traces the controversy and separates online interpretations from what…
Nathaniel Bassey’s Hallelujah Challenge grew from a midnight livestream into a recurring online worship community. This report examines its audience figures and what platform view counts can—and…
We cover the culture people care about and the business decisions that shape what they hear and watch.
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