Disclosure: Pipit gave us a press release, screenshots and written interview answers from co-founder Ray Shingler. We also read its public terms of use (last updated October 23, 2026) and checked outside sources for payment and fee details.…
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Fake-stream promotion often promises large numbers for a fee. GYOnlineNG explains common warning signs, the difference between legitimate promotion and artificial streams, and what artists should check…
A touring schedule creates obligations beyond the performance itself. Davido’s tour offers a starting point for examining who budgets for physical preparation and recovery.
A platform royalty total cannot show what artists retained. The next question is how earnings are accounted for across recordings, songwriting and live performance.
Read the sources, understand the measures and follow the calculations behind our reporting.
FilmOne’s 2025 yearbook reports ₦15.64bn gross and 2.8 million admissions in its headline market series. This guide compares those figures with the state-level table and explains why…
Agbara Nla: The Return reported more than ₦71 million in preview sales. This article examines the film’s inherited audience, its production and distribution partners, and the limits…
FilmOne’s first-half 2026 box-office figures put Nigerian titles ahead of Hollywood releases in the reported market, but the comparison depends on the period and dataset. This article…
Burna Boy’s music has appeared in Apple Fitness+ and Peloton workout offerings. This report looks at the catalogue exposure and what public announcements do—and do not—reveal about…
A 2021 criticism of Adeyinka Alaseyori’s “Oniduro Mi” by Tope Alabi sparked a wider public debate. This article traces the controversy and separates online interpretations from what…
Nathaniel Bassey’s Hallelujah Challenge grew from a midnight livestream into a recurring online worship community. This report examines its audience figures and what platform view counts can—and…
We cover the culture people care about and the business decisions that shape what they hear and watch.
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